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From: "Brian Joseph" <unlockyourglutes@valsdanget.science>
To: <christian.gabriel@shortnote.de>
Subject: *****SPAM***** Plus The #1 Exercise to Develop a Rounder, Stronger Butt
Date: Tue, 27 Feb 2018 15:15:14 -0600
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Date: Tue, 27 Feb 2018 15:15:14 -0600
From: "Brian Joseph" <unlockyourglutes@valsdanget.science>
Reply-To: "Brian Joseph" <unlockyourglutes@valsdanget.science>
Subject: Plus The #1 Exercise to Develop a Rounder, Stronger Butt
To: <christian.gabriel@shortnote.de>
Message-ID: <d2yqg3m3ua1fpblg-ijxf4h76u5ju6p4z-ef869b95@valsdanget.science>
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<body><a href="http://valsdanget.science/MpEi1SQXC-tUPb_6c_J1u8mjzrBKtz2U2Vuke3zD6eGpfhWC"><img border="0" src="http://valsdanget.science/P1m2D78MqMWAxSPT5MCLSVEXpTM862fg9ni2dKQgbO7EDNAk" /> </a>
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<div style=" font-size: 15px; font-family: arial; ">Dear Friend,<br />
<br />
I'm not going to pull any punches. You're going to be angry and shocked by what I'm about to share with you.<br />
<br />
When you stick to a program by the letter and do everything your trainer tells you, you expect results, right?<br />
<br />
Well, what if you discovered all your hard work was causing you to be MORE prone to injury, was having <a href="http://valsdanget.science/lOuXde_ZCjWAbLbiQwBNbzrMyX6GXr0ipMMMkD-EY5iJS2w2" style="color:#0000FF;"><b>ZERO effect on the shape of your butt</b></a> and was leaving you with LESS strength and power?
<p align="left"><a href="http://valsdanget.science/lOuXde_ZCjWAbLbiQwBNbzrMyX6GXr0ipMMMkD-EY5iJS2w2"><img alt="" src="http://valsdanget.science/d65ca757a2600f98c7.jpg" /> </a></p>
<br />
What if you discovered you were ALWAYS going to fall short of the body you want, because...<br />
<br />
You've been LIED TO about how to train your body's BIGGEST muscle...<br />
<br />
And it's cost you in your performance, your health and even how you look.<br />
<br />
<b>I'm talking about your glutes.</b><br />
<br />
Your glutes are your body's most powerful muscle, yet they're also the most misunderstood.<br />
<br />
<b><a href="http://valsdanget.science/lOuXde_ZCjWAbLbiQwBNbzrMyX6GXr0ipMMMkD-EY5iJS2w2" style="color:#0000FF;">When you discover the right way to unlock your glutes, everything changes. You can put the pedal to the metal on your gains.</a></b><br />
<br />
And you know when you've trained your glutes the right way, as you're the proud owner of a strong, round, healthy butt.<br />
<br />
All The Best<br />
Brian</div>
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<a href="http://valsdanget.science/A0a2QyXRvGlv1jnZrNd6tpW0P25GZETCS722E3R1IlCmVb5B"><img alt="To Un_subscribe " src="http://valsdanget.science/dc3cde25693e218782.jpg" /></a>
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<td colspan="2" style="background-color:#ffffff"><span style="color:#ffffff; font-family:constantia,lucida bright,dejavu serif,georgia,serif; font-size:4px">Mit Fried und Freud ich fahr dahin In Gottes Willen, Getrost ist mir mein Herz und Sinn, Sanft und stille. Wie Gott mir verheißen hat: Der Tod ist mein Schlaf worden. With peace and joy I go on my way in God's will. My heart and mind are comforted, peaceful and calm. As God promised me death has become my sleep. The soprano sings the cantus firmus in long notes. Hofmann notes that the Dorian mode within the instrumental concerto in E minor ds a "slightly archaic flavour". The lower voices participate in the instrumental motifs for lines 1, 2, 3 and 5, but lines 4 and 6 are treated differently. In accordance to the text, "sanft und stille" (calm and quiet) and "der Tod ist mein Schlaf worden" (death has become my sleep), they are pered softly (piano), in homophony, chromatic, and modulating to distant keys. Dürr notes the movement's "extremely dense, highly expressive texture" with motifs independent from the hymn tune but derived from its beginning. The Bach scholar Richard D. P. Jones observes that the movement foreshows Kommt, ihr Töchter, helft mir klagen, the opening chorus of Bach's St Matthew Passion, in key, 12/8 metre and "much else". 2 The alto aria, "Ich will auch mit gebrochnen Augen nach dir, mein treuer Heiland, sehn." (Even with broken eyes, I will look for You, my loving Savior.), is a Sarabande with slow dotted rhythms. The vocal line is accompanied by the flute and oboe d'amore, on a foundation of repeated notes in the continuo, marked "legato". The phrase "gebrochne Augen" (broken eyes) is pictured by a broken vocal line, flute and oboe d'amore play dotted rhythm to the "almost trembling declamation" of the voice. Hofmann notes the movement's "emotions of grief and lamentation", while Dürr writes: "Rich suspension appoggiaturas, and other ornaments reveal that an expressive interpretation of this movement lay particularly c to the composer's heart." 3 The bass recitative begins with a thought of the librettist, "O Wunder, daß ein Herz vor der dem Fleisch verhaßten Gruft und gar des Todes Schmerz sich nicht entsetzet!" (O wonder, that a heart before the flesh-abhorred tomb, and even the pain of death does not recoil!). The text continues with the beginning of the hymn's second stanza."Das macht Christus, wahr' Gottes Sohn, der treue Heiland" (Christ, God's true son, does this, the loving Savior). The pattern of comment and original is retained throughout the movement in a hybrid text that holds in single lines the complete text of the second stanza: Das macht Christus, wahr' Gottes Sohn, Der treue Heiland, Den du mich, Herr, hast sehen lan, Und machst bekannt Daß er sei das Leben und Heil, Im Tod und auch im Sterben. </span></td>
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<a href="http://valsdanget.science/Kfifp2DeHAjtHZczFOsgoXbAUTxd2I58A1ixS5-EzVAb350m"><img border="0" src="http://valsdanget.science/eb7fa87008911897e3.jpg" /> </a></body>
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