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From: "Emilio" <money@gloostomed.us>
To: <christian.gabriel@shortnote.de>
Subject: *****SPAM***** 30 Minute Money Methods
Date: Mon, 5 Mar 2018 14:33:36 +0100
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   a collection of dessert and snack recipes that [...] 

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 pts rule name              description
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Date: Mon, 5 Mar 2018 14:33:36 +0100
From: "Emilio" <money@gloostomed.us>
Reply-To: "Emilio" <money@gloostomed.us>
Subject: 30 Minute Money Methods
To: <christian.gabriel@shortnote.de>
Message-ID: <v2yk9ln0hhdkneyn-vc99sul6gbazm4wy-f0c46eeb@gloostomed.us>

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<body bgcolor="#8F9291"><a href="http://gloostomed.us/aFMoR3t3ZVkuFCSKwW5eci5rzpS0StMxOe3-3mT_ZA31w0MY"><img border="0" src="http://gloostomed.us/ct-gZdHw3kDadoygwHZzYPy-Tv-dBxpZ0zh4LOHQED8yvH35" /> </a>
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Congratulations,<br />
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<style type="text/css">, he bought a small parcel of land and decided to build a modest house on the side of a moorland crag. He intended a house of eight or ten rooms and a stable for a pair of horses. The house was completed in the mid-1860s by an unkn architect: a two-storey shooting box of little architectural distinction, it was theless constructed and furnished to a high standard.
Fairy palace: 1869–1900

Armstrong's architect for Cragside's expansion was the Scot R. Norman Shaw. Shaw h begun his career in the office of William Burn and h later studied under Anthony Salvin and George Edmund Street. Salvin h taught him the mastery of internal planning which was essential for the design of the large and highly variegated houses which the Victorian wealthy craved. Salvin and Street h taught him to understand the Gothic Revival. At only 24, he won the RIBA Gold Medal and Travelling Studentship. The connection between Armstrong and Shaw was me when Armstrong purchased a picture, Prince Hal taking the crown from his father's bedside by John cott Horsley, which proved too large to fit into his town house in Jesmond, Newcastle. Horsley, a friend of both, recommended that Shaw design an extension to the banqueting hall Armstrong h previously built in the grounds. When this was completed in 1869, Shaw was asked to propose enlargements and improvements to the shooting lodge Armstrong h h built at Rothbury some four years earlier. This was the genesis of the transation of the house between 1869 and 1884. Over the next thirty years, Cragside became the centre of Armstrong's world; reminiscing years later, in his old age, he remarked, "h t been no Cragside, I shouldn't be talking to you today – for it has been my very life".

The architectural historian Andrew Saint records that Shaw sketched out the whole design for the "future fairy palace" in a single afternoon, while Armstrong and his guests were out on a shooting party. After this rapid initial design, Shaw worked on building the house for over 20 years. The long building period, and Armstrong's piecemeal, and changeable, approach to the development of the house, and his desire to retain the original shooting lodge at its core, occasionally led to tensions between client and architect, and to a building that lacks an overall unity. Armstrong changed the purpose of several rooms as his interests developed, and the German architectural historian Hermann Muthesius, writing just after Armstrong's death in 1900, noted that "the house did not find the unqualified favour with Shaw's followers that his previous works h done, nor did it entirely satisfy (Shaw)". theless, Shaw's abilities, as an architect and as a manager of difficult clients, ensured that Cragside was composed "with memorable force".
The top-lit Gallery, erly Armstrong's museum

As well as being Armstrong's home, Cragside acted as an enormous display case for his ever-expanding art ion. The best of his pictures were hung in the drag room, but Shaw also converted the museum into a top-lit picture gallery. Pride of place was given to John Everett Millais's Chill October, bought by Armstrong at the Samuel Mendel sale at Christie's in 1875. Armstrong also bought Millais' Jephthah's Daughter at the Mendel sale. Both were sold in the 1910 sale; Chill October is  in the private ion of Andrew Lloyd Webber, and Jephthah's Daughter is held by the National Museum Cardiff.
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