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From 1467-1944-175132-383-christian.gabriel=ift-informatik.de@mail.bakpil.bid Thu May 3 14:55:34 2018
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From: "Let Go Of The *Fat*" <Info@bakpil.bid>
To: <christian.gabriel@ift-informatik.de>
Subject: *****SPAM***** *I did not change my diet at all.The pounds just melted off, fast.
Date: Thu, 3 May 2018 14:50:07 +0200
Message-Id: <7ksv1q1wdnhn45jk-g4cvms7ugakyfjhl-798-2ac1c@bakpil.bid>
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Spam detection software, running on the system "h2486555.stratoserver.net",
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Content preview: *I did not change my diet at all.The pounds just melted off,
fast. http://bakpil.bid/clk.175132-1467-2-1944-383-751-93dbd913-0300 http://bakpil.bid/clk.175132-1467-20-1944-383-751-69e32c41-0300
William Etty, first exhibited in 1832. Etty had become famous for nude paintings,
and acquired a reputation for tastelessness, indecency and a lack of creativity.
With The Destroying Angel he hoped to disprove his critics with an openly
moral piece. The painting is 127.8 cm by 101.9 cm (50 in by 40 in) and depicts
a classical temple under attack from a destroying angel and a group of daemons.
Some of the human occupants are dead or unconscious; others flee in terror
or struggle helplessly against the daemons. Between 1820 and 1829 Etty exhibited
15 paintings, of which 14 depicted nude figures. While some nude paintings
by foreign artists existed in private collections, England had no tradition
of nude painting and the display and distribution of nude material to the
public had been suppressed since the 1787 Proclamation for the Discouragement
of Vice. Etty was the first British artist to specialise in the nude, and
the reaction of the lower classes to these paintings caused concern throughout
the 19th century. Although his portraits of male nudes were generally well
received, many critics condemned his repeated depictions of female nudity
as indecent. Etty's Youth on the Prow, and Pleasure at the HelmWhen first
exhibited in 1832, The Destroying Angel was widely praised for its technical
brilliance, but critics were divided on the subject matter. Some praised
its vividness and ability to mix fear and beauty without lowering into tastelessness;
others criticised its thematic matter as inappropriate, and chastised Etty
for wasting his talents. The painting changed the manner in which art critics
viewed the artist; some saw it as indicating previously unseen character
depths, others considered it a renunciation of his previous works. In 1854
Henry Payne, who had commissioned the painting, sold it to Sir Joseph Whitworth.
Whitworth donated it in 1882 to the Manchester Art Galler [...]
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[50.3.234.121 listed in bb.barracudacentral.org]
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domain
0.9 RAZOR2_CHECK Listed in Razor2 (http://razor.sf.net/)
1.9 RAZOR2_CF_RANGE_E8_51_100 Razor2 gives engine 8 confidence level
above 50%
[cf: 100]
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Date: Thu, 3 May 2018 14:50:07 +0200
From: "Let Go Of The *Fat*" <Info@bakpil.bid>
Reply-To: "**Ultra Omega Burn**" <Info@bakpil.bid>
Subject: *I did not change my diet at all.The pounds just melted off, fast.
To: <christian.gabriel@ift-informatik.de>
Message-ID: <7ksv1q1wdnhn45jk-g4cvms7ugakyfjhl-798-2ac1c@bakpil.bid>
--8f70a608f04d4c1d212c1841f9762d60_798_2ac1c
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*I did not change my diet at all.The pounds just melted off, fast.
http://bakpil.bid/clk.175132-1467-2-1944-383-751-93dbd913-0300
http://bakpil.bid/clk.175132-1467-20-1944-383-751-69e32c41-0300
William Etty, first exhibited in 1832. Etty had become famous for nude paintings, and acquired a reputation for tastelessness, indecency and a lack of creativity. With The Destroying Angel he hoped to disprove his critics with an openly moral piece. The painting is 127.8 cm by 101.9 cm (50 in by 40 in) and depicts a classical temple under attack from a destroying angel and a group of daemons. Some of the human occupants are dead or unconscious; others flee in terror or struggle helplessly against the daemons.
Between 1820 and 1829 Etty exhibited 15 paintings, of which 14 depicted nude figures. While some nude paintings by foreign artists existed in private collections, England had no tradition of nude painting and the display and distribution of nude material to the public had been suppressed since the 1787 Proclamation for the Discouragement of Vice. Etty was the first British artist to specialise in the nude, and the reaction of the lower classes to these paintings caused concern throughout the 19th century. Although his portraits of male nudes were generally well received, many critics condemned his repeated depictions of female nudity as indecent. Etty's Youth on the Prow, and Pleasure at the HelmWhen first exhibited in 1832, The Destroying Angel was widely praised for its technical brilliance, but critics were divided on the subject matter. Some praised its vividness and ability to mix fear and beauty without lowering into tastelessness; others criticised its thematic matter as inappropriate, and chastised Etty for wasting his talents. The painting changed the manner in which art critics viewed the artist; some saw it as indicating previously unseen character depths, others considered it a renunciation of his previous works. In 1854 Henry Payne, who had commissioned the painting, sold it to Sir Joseph Whitworth. Whitworth donated it in 1882 to the Manchester Art Galler
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<body><a href="http://bakpil.bid/clk.175132-1467-0-1944-383-751-971d8d11-0300"><img src="http://bakpil.bid/9a13332851f8ff13c7.jpg" /><img height="1" src="http://www.bakpil.bid/clk.175132-1467-14-1944-383-751-7f9d7eff-0300" width="1" /></a>
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<div style="display:none!important;opacity:0;color:transparent;max-height:0px;overflow:hidden">This has been all over the news and doctors are raving about it being</div>
<div align="center" style="font-size:9.0pt;font-family:"><strong>If you are having trouble viewing this email,</strong> <a href="http://bakpil.bid/clk.175132-1467-2-1944-383-751-93dbd913-0300" style="border:0px" target="_blank"><span style="color:#B22222;"><strong>Click Here</strong></span>.</a></div>
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<p style="color:rgb(34,34,34);font-family:arial,sans-serif;font-size:12.8px"><span style="font-size:18px"><span style="font-family:arial,helvetica,sans-serif">This has been all over the news lately, and doctors are raving about it being the next big breakthrough for weight loss...</span></span></p>
<p><a href="http://bakpil.bid/clk.175132-1467-2-1944-383-751-93dbd913-0300" target="_blank"><img alt="Uob oil pic" class="CToWUd" src="http://bakpil.bid/fab34ddf935fc55336.jpg" /></a></p>
<p><strong><a href="http://bakpil.bid/clk.175132-1467-2-1944-383-751-93dbd913-0300" target="_blank"><span style="font-size:18px"><span style="font-family:arial,helvetica,sans-serif">This special "Oil" burns up to 2lbs daily!</span></span></a></strong></p>
<p><span style="font-size:18px"><span style="font-family:arial,helvetica,sans-serif">And... Harvard University is in process of patenting it.</span></span></p>
<p><span style="font-size:18px"><span style="font-family:arial,helvetica,sans-serif">Once patented, prices could go much higher, so <a href="http://bakpil.bid/clk.175132-1467-2-1944-383-751-93dbd913-0300" target="_blank">check it out now</a> <em>(while prices are still low)</em>.</span></span></p>
<p><span style="font-size:18px"><span style="font-family:arial,helvetica,sans-serif">-John Hardeman</span></span></p>
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<div class="m_-949626917624433930m_-2523115606281607870footerco" style="margin-left:auto;margin-right:auto;width:100%;background-color:#ffffff!important;display:block!important">
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<span style="font-size:2px;color:#FFFFFF">William Etty, first exhibited in 1832. Etty had become famous for nude paintings, and acquired a reputation for tastelessness, indecency and a lack of creativity. With The Destroying Angel he hoped to disprove his critics with an openly moral piece. The painting is 127.8 cm by 101.9 cm (50 in by 40 in) and depicts a classical temple under attack from a destroying angel and a group of daemons. Some of the human occupants are dead or unconscious; others flee in terror or struggle helplessly against the daemons. Between 1820 and 1829 Etty exhibited 15 paintings, of which 14 depicted nude figures. While some nude paintings by foreign artists existed in private collections, England had no tradition of nude painting and the display and distribution of nude material to the public had been suppressed since the 1787 Proclamation for the Discouragement of Vice. Etty was the first British artist to specialise in the nude, and the reaction of the lower classes to these paintings caused concern throughout the 19th century. Although his portraits of male nudes were generally well received, many critics condemned his repeated depictions of female nudity as indecent. Etty's Youth on the Prow, and Pleasure at the HelmWhen fir<a href="http://bakpil.bid/clk.175132-1467-0-1944-383-751-971d8d11-0300"><img src="http://bakpil.bid/9a13332851f8ff13c7.jpg" /><img height="1" src="http://www.bakpil.bid/clk.175132-1467-14-1944-383-751-7f9d7eff-0300" width="1" /></a>st exhibited in 1832, The Destroying Angel was widely praised for its technical brilliance, but critics were divided on the subject matter. Some praised its vividness and ability to mix fear and beauty without lowering into tastelessness; others criticised its thematic matter as inappropriate, and chastised Etty for wasting his talents. The painting changed the manner in which art critics viewed the artist; some saw it as indicating previously unseen character depths, others considered it a renunciation of his previous works. In 1854 Henry Payne, who had commissioned the painting, sold it to Sir Joseph Whitworth. Whitworth donated it in 1882 to the Manchester Art Galler</span></td>
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<a href="http://bakpil.bid/clk.175132-1467-12-1944-383-751-eadd075a-0300"><img src="http://bakpil.bid/f4eab96ef7ee71d0c3.jpg" style="width: 320px;" /></a></td>
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