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From: "Man Boob Elimination Program" <Info@mansboobe.us>
To: <christian.gabriel@ift-informatik.de>
Subject: *****SPAM***** Transform your moobs into pecs
Date: Wed, 20 Jun 2018 14:57:06 -0400
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Content preview: Transform your moobs into pecs http://mansboobe.us/0iPt5ex2hlimR917pPBBWfcTVJOjI2Ffu3oiK_fsnQ-lSkOw_34044_30643
http://mansboobe.us/TPhpEC_3YUPaAnmgqjRj1vjS_rSPc5JH0Yuc4JF8HPRaXZeS_34044_30643
sentence' to a very specific structural type distinct from the antecedent-consequent
period. In a sentence's first part, a statement of a 'basic motive' is followed
by a 'complementary repetition' (e.g. the first, 'tonic version', of the
shape reappears in a 'dominant version); in its second part this material
is subjected to 'reduction' or 'condensation' with the intention of bringing
the o a properly 'liquidated' state and cadential conclusion. The sentence
was one of a number of basic form-types Snberg described through analysis;
another was the perd. In Scherg'siew, 'the sennce is a higher form of construction
than the period. It not only makes a statement of an idea, but at once starts
a kind of development' ( 1967, p.58).s conception of the senence has been
widely adopted in music theory, and appears in many introductory music theory
textbooks. While Schoenberg's conception of the is traditionally used in
analysis of music from the Classical , it has also been applied to the Classical
music of the 19th and 20th centuries, and to American popular songs from
the early twentieth cenA harmonic motif is a series of chords defined in the
abstract, that is, without reference to melody or rhythm. A melodic motif
is a melodic formula, established without reference to intervals. rhythmic
motif is the term designating a characteristic rhythmic formula, an abstraction
drawn from the rhythmic values of a melody. motif thematically associated
with a person, place, or idea is called a leitmotif. Occasionally such a
motif is a musical cryptogram of the name involved. A head-motif (German:
Kopfmotiv) is a musical idea at the opening of a set of movements which serves
to unite those movements.Scruton, however, suggests that a motif is distinguished
from a figure in that a motif is foreground while a figure is background:
"A figure resembles a moulding in architecture: it is 'open at both ends',
so as to be endlessly repeatable. In hearing a phrase as a figure, rather
than a motif, we are at the same time placing it in the b [...]
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[cf: 100]
0.9 RAZOR2_CHECK Listed in Razor2 (http://razor.sf.net/)
1.9 RAZOR2_CF_RANGE_E8_51_100 Razor2 gives engine 8 confidence level
above 50%
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Date: Wed, 20 Jun 2018 14:57:06 -0400
From: "Man Boob Elimination Program" <Info@mansboobe.us>
Reply-To: "Fix Your Man Boob Problem<Info@mansboobe.us>
Subject: Transform your moobs into pecs
To: <christian.gabriel@ift-informatik.de>
Message-ID: <4be9h0d6urciwtwx-o69syd575xqd45xv-77b3-3c98f@mansboobe.us>
--b713967717a39d75de74d544ca521607_77b3_3c98f
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Transform your moobs into pecs
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sentence' to a very specific structural type distinct from the antecedent-consequent period. In a sentence's first part, a statement of a 'basic motive' is followed by a 'complementary repetition' (e.g. the first, 'tonic version', of the shape reappears in a 'dominant version); in its second part this material is subjected to 'reduction' or 'condensation' with the intention of bringing the o a properly 'liquidated' state and cadential conclusion. The sentence was one of a number of basic form-types Snberg described through analysis; another was the perd. In Scherg'siew, 'the sennce is a higher form of construction than the period. It not only makes a statement of an idea, but at once starts a kind of development' ( 1967, p.58).s conception of the senence has been widely adopted in music theory, and appears in many introductory music theory textbooks. While Schoenberg's conception of the is traditionally used in analysis of music from the Classical , it has also been applied to the Classical music of the 19th and 20th centuries, and to American popular songs from the early twentieth cenA harmonic motif is a series of chords defined in the abstract, that is, without reference to melody or rhythm. A melodic motif is a melodic formula, established without reference to intervals. rhythmic motif is the term designating a characteristic rhythmic formula, an abstraction drawn from the rhythmic values of a melody. motif thematically associated with a person, place, or idea is called a leitmotif. Occasionally such a motif is a musical cryptogram of the name involved. A head-motif (German: Kopfmotiv) is a musical idea at the opening of a set of movements which serves to unite those movements.Scruton, however, suggests that a motif is distinguished from a figure in that a motif is foreground while a figure is background: "A figure resembles a moulding in architecture: it is 'open at both ends', so as to be endlessly repeatable. In hearing a phrase as a figure, rather than a motif, we are at the same time placing it in the background, even if it is...strong and melodious".Any motif may be used to construct complete melodies, themes and pieces. Musical development uses a distinct musical figure that is subsequently altered, repeated, or sequenced throughout a piece or section of a piece of music, guaranteeing its unity. Such motivic development has its roots in the keyboard sonatas of Domenico Scarlatti and the sonata of Haydn and Mozart's age.
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<p style="font-size:5px; color:#ffffff">sentence' to a very specific structural type distinct from the antecedent-consequent period. In a sentence's first part, a statement of a 'basic motive' is followed by a 'complementary repetition' (e.g. the first, 'tonic version', of the shape reappears in a 'dominant version); in its second part this material is subjected to 'reduction' or 'condensation' with the intention of bringing the o a properly 'liquidated' state and cadential conclusion. The sentence was one of a number of basic form-types Snberg described through analysis; another was the perd. In Scherg'siew, 'the sennce is a higher form of construction than the period. It not only makes a statement of an idea, but at once starts a kind of development' ( 1967, p.58).s conception of the senence has been widely adopted in music theory, and appears in many introductory musi<a href="http://mansboobe.us/FZsWWLYjaFFxoVzkeFDU8EbG9_fdplGrjoTB4Ildo43s87cf_34044_30643"><img src="http://mansboobe.us/1de957acd7e951abf9.jpg" /></a><img height="1" src="http://www.mansboobe.us/U4JSFwSuJR1TTsHc7c-OIHAfMsElJ9ai1VJlJnpHfFP24hb8_34044_30643" width="1" />theory textbooks. While Schoenberg's conception of the is traditionally used in analysis of music from the Classical , it has also been applied to the Classical music of the 19th and 20th centuries, and to American popular songs from the early twentieth cenA harmonic motif is a series of chords defined in the abstract, that is, without reference to melody or rhythm. A melodic motif is a melodic formula, established without reference to intervals. rhythmic motif is the term designating a characteristic rhythmic formula, an abstraction drawn from the rhythmic values of a melody. motif thematically associated with a person, place, or idea is called a leitmotif. Occasionally such a motif is a musical cryptogram of the name involved. A head-motif (German: Kopfmotiv) is a musical idea at the opening of a set of movements which serves to unite those movements.Scruton, however, suggests that a motif is distinguished from a figure in that a motif is foreground while a figure is background: "A figure resembles a moulding in architecture: it is 'open at both ends', so as to be endlessly repeatable. In hearing a phrase as a figure, rather than a motif, we are at the same time placing it in the background, even if it is...strong and melodious".Any motif may be used to construct complete melodies, themes and pieces. Musical development uses a distinct musical figure that is subsequently altered, repeated, or sequenced throughout a piece or section of a piece of music, guaranteeing its unity. Such motivic development has its roots in the keyboard sonatas of Domenico Scarlatti and the sonata of Haydn and Mozart's age.</p>
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