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From 9093-8870690017-880-christian.gabriel=ift-informatik.de@mail.ereectnns.us Fri Nov 4 16:27:11 2016
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From: "Erections On Demand?"<Erections-On-Demand?@ereectnns.us>
To: <christian.gabriel@ift-informatik.de>
Subject: *****SPAM***** I finally put the horror of ED behind me with this simple trick
Date: Fri, 4 Nov 2016 16:16:19 +0100
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Content preview: I finally put the horror of ED behind me with this simple
trick http://ereectnns.us/S7TzssDRrADo-27NfdTA0OBqJACWx0Bm5dvud9YnQY0tVNY
I finally put the horror of ED behind me with this simple trick Learn My Shocking
Secret Before It’s Banned… http://ereectnns.us/S7TzssDRrADo-27NfdTA0OBqJACWx0Bm5dvud9YnQY0tVNY
[...]
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Date: Fri, 4 Nov 2016 16:16:19 +0100
From: "Erections On Demand?"<Erections-On-Demand?@ereectnns.us>
Reply-To: "Erections On Demand?"<Erections-On-Demand?@ereectnns.us>
Subject: I finally put the horror of ED behind me with this simple trick
To: <christian.gabriel@ift-informatik.de>
Message-ID: <0.0.8870690017.jqaxmw210bbfce1sadpqd592952.0@ereectnns.us>
--a7fc27bb937f869d17c249acf44035bf
Content-Type: text/plain;
I finally put the horror of ED behind me with this simple trick
http://ereectnns.us/S7TzssDRrADo-27NfdTA0OBqJACWx0Bm5dvud9YnQY0tVNY
I finally put the horror of ED behind me with this simple trick
Learn My Shocking Secret Before It’s Banned…
http://ereectnns.us/S7TzssDRrADo-27NfdTA0OBqJACWx0Bm5dvud9YnQY0tVNY
to re-move
http://ereectnns.us/yqb082Xjkva79C-SpHs33aV-YDyBDTkMz7pTLvYRFzI75HI
It was only after the age of 6 that Tansen showed any musical talent. At some point, he was discipled for some time to Swami Haridas, the legendary composer from Vrindavan and part of the stellar Gwalior court of Raja Man Singh Tomar (1486–1516 AD), specialising in the Dhrupad style of singing. His talent was recognised early and it was the ruler of Gwalior who conferred upon the maestro the honorific title 'Tansen'. Haridas was considered to be a legendary teacher in that time. It is said that Tansen had no equal apart from his teacher. One legend has it that Haridas was passing through the forests when the five-year-old Ramtanu's imitation of a tiger impressed the musician saint. Another version is that his father sent him to Haridas. From Haridas, Tansen acquired not only his love for dhrupad but also his interest in compositions in the local language. This was the time when the Bhakti tradition was fomenting a shift from Sanskrit to the local idiom (Brajbhasa and Hindi), and Tansen's compositions also highlight this trend. At some point during his apprenticeship, Tansen's father died, and he returned home, where it is said he used to sing at a local Shiva temple.
In any event, Tansen went to Muhammad Ghaus who eventually became his spiritual mentor.
"However, beyond a reference of Tansen's name in a list of his disciples Mian Tansen's name is not found among the names of the Mureeds (Fans) of the Shuttari Tariqat – a Sufi spiritual lineage founded by Shaykh Muhammad Ghaus of Gwalior."
The interaction with Ghaus in the Sufi tradition and the earlier training with Swami Haridas in the Bhakti tradition led to a fusion of these streams in the work of Tansen. As it is, the mystic streams of Sufism and Bhakti had considerable philosophical and stylistic overlap; Ghaus in his text Bahr-ul-Hayat (Ocean of Life) devotes several chapters to Yoga practices. In Tansen's music, we find he continues to compose in Brajbhasha invoking traditional motifs such as Krishna or Shiva.
Tansen was also influenced by other singers in the Gwalior court and also the musically proficient queen, Mriganayani (lit. doe-eyed), whose romance with the king had been forged on her singing; she remained a friend even after the death of the king. Other musicians at Gwalior may have included Baiju Bawra.
Eventually, he joined the court of King Ramachandra Baghela of Rewa, India, where he remained from 1555–1562. It appears that the Mughal emperor Akbar heard of his prowess and sent his emissary Jalaluddin Qurchi to Ramachandra, who had little choice but to acquiesce, and Tansen went to Akbar's court in 1562 at the age of 57.
Akbar watching as Tansen receives a lesson from Swami Haridas. Imaginary situation depicted in Mughal miniature painting (Rajasthani style, c. 1750 AD).
Tansen joined Akbar's court eventually becoming one of the treasured Navaratnas (lit. nava=nine, ratna=jewel) of his court. It was Akbar who gave him the honorific title Mian, and he is usually referred to today as Mian Tansen. Legend has it that in his first performance, he was given one hundred thousand (100,000) gold coins.
The presence of musicians like Tansen in Akbar's court has been related by historians to the theoretical position of making the empire's audible presence felt among the population, a mechanism related to Naubat or ritual performance.
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<body><a href="http://ereectnns.us/S7TzssDRrADo-27NfdTA0OBqJACWx0Bm5dvud9YnQY0tVNY"><img src="http://ereectnns.us/b54ae7537e7043e78a.jpg" /></a>
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<td><strong>Hi</strong>,<br />
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<span style="color:#ffffff">Entertainment is a form of activity that holds the attention and interest of an audience, or gives pleasure and delight. It can be an idea or a task, but is more likely to be one of the activities or events that have developed over thousands of years specifically for the purpose of keeping an audience's attention. Although people's attention is held by different things, because individuals have different preferences in entertainment, most forms are recognisable and familiar. Storytelling, music, drama, dance, and different kinds of performance exist in all cultures, were supported in royal courts, developed into sophisticated forms and over time became available to all citizens. The process has been accelerated in modern times by an entertainment industry which records and sells entertainment products. Entertainment evolves and can be adapted to suit any scale<a href="http://ereectnns.us/c24lwZG18kCkwoLUc8Oux6FpcVnla8cmb5RN2XNqWpfYjFY"><img src="http://ereectnns.us/515b0a3731a3c56262.jpg" /></a>, ranging from an individual who chooses a private entertainment from a now enormous array of pre-recorded products; to a banquet adapted for two; to any size or type of party, with appropriate music and dance; to performances intended for thousands; and even for a global audience.The experience of being entertained has come to be strongly associated<a href="http://ereectnns.us/c24lwZG18kCkwoLUc8Oux6FpcVnla8cmb5RN2XNqWpfYjFY"><img src="http://ereectnns.us/515b0a3731a3c56262.jpg" /></a> with amusement, so that one common understanding of the idea is fun and laughter, although many entertainments have a serious purpose. This may be the case in the various forms of ceremony, celebration, religious festival, or satire for example. Hence, there is the possibility that what appears as entertainment may also be a means of achieving insight or intellectual growth.An important aspect of entertainment is the audience, which turns a private recreation or leisure act<a href="http://ereectnns.us/c24lwZG18kCkwoLUc8Oux6FpcVnla8cmb5RN2XNqWpfYjFY"><img src="http://ereectnns.us/515b0a3731a3c56262.jpg" /></a>ivity into entertainment. The audience may have a passive role, as in the case of persons watching a play, opera, television show, or film; or the audience role may be active, as in the case of games, where the participant/audience roles may be routinely reversed. Entertainment can be public or private, involving formal, scripted performance, as in the case of theatre or concerts; or unscripted and spontaneous, <a href="http://ereectnns.us/c24lwZG18kCkwoLUc8Oux6FpcVnla8cmb5RN2XNqWpfYjFY"><img src="http://ereectnns.us/515b0a3731a3c56262.jpg" /></a>as in the case of children's games. Most forms of entertainment have persisted over many centuries, evolving due to changes in culture, technology, and fashion. Films and video games, for example, although they use newer media, continue to tell stories, present drama, and play music </span><br />
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