| Current Path : /proc/thread-self/root/home/ift/mails/34/ |
Linux ift1.ift-informatik.de 5.4.0-216-generic #236-Ubuntu SMP Fri Apr 11 19:53:21 UTC 2025 x86_64 |
| Current File : //proc/thread-self/root/home/ift/mails/34/1534675780.zrspam.341568_2018_08_19 |
From 37178-37360-248207-7501-christian.gabriel=ift-informatik.de@mail.daggrnew.us Sun Aug 19 12:49:40 2018
Return-Path: <37178-37360-248207-7501-christian.gabriel=ift-informatik.de@mail.daggrnew.us>
X-Original-To: cgabriel@ift-informatik.de
Delivered-To: cgabriel@ift-informatik.de
Received: by ift-informatik.de (Postfix, from userid 5555)
id 38B0F3D200A97; Sun, 19 Aug 2018 12:49:40 +0200 (CEST)
Received: from localhost by h2486555.stratoserver.net
with SpamAssassin (version 3.4.0);
Sun, 19 Aug 2018 12:49:40 +0200
From: "Original Copper Fit" <contact@daggrnew.us>
To: <christian.gabriel@ift-informatik.de>
Subject: *****SPAM***** Stiff knees and elbows bothering your day
Date: Sun, 19 Aug 2018 06:48:32 -0400
Message-Id: <oc4jvv3t9bvklyf2-llaaxh39ypq76fbl-91f0-3c98f@daggrnew.us>
X-Spam-Checker-Version: SpamAssassin 3.4.0 (2014-02-07) on
h2486555.stratoserver.net
X-Spam-Flag: YES
X-Spam-Level: *****
X-Spam-Status: Yes, score=5.2 required=5.0 tests=BAYES_00,DKIM_SIGNED,
DKIM_VALID,DKIM_VALID_AU,HTML_FONT_LOW_CONTRAST,HTML_MESSAGE,
RAZOR2_CF_RANGE_51_100,RAZOR2_CF_RANGE_E8_51_100,RAZOR2_CHECK,
RCVD_IN_BL_SPAMCOP_NET,RDNS_NONE,URIBL_BLOCKED,URIBL_DBL_SPAM autolearn=no
autolearn_force=no version=3.4.0
MIME-Version: 1.0
Content-Type: multipart/mixed; boundary="----------=_5B794B44.DEA7FD8E"
This is a multi-part message in MIME format.
------------=_5B794B44.DEA7FD8E
Content-Type: text/plain; charset=iso-8859-1
Content-Disposition: inline
Content-Transfer-Encoding: 8bit
Spam detection software, running on the system "h2486555.stratoserver.net",
has identified this incoming email as possible spam. The original
message has been attached to this so you can view it or label
similar future email. If you have any questions, see
@@CONTACT_ADDRESS@@ for details.
Content preview: Stiff knees and elbows bothering your day http://daggrnew.us/vrvyYh1Nk1PSX3eX6AqgrNxZ85ms456rmsMmA2Ju0i0tKbs_248207_91f0_656a22bf_0300
http://daggrnew.us/WN0jaUtN6eXFt-LNXbeMOabQb5z67bio_rdWL60yhwZp4LE_248207_91f0_24fb86a9_0300
[...]
Content analysis details: (5.2 points, 5.0 required)
pts rule name description
---- ---------------------- --------------------------------------------------
0.0 URIBL_BLOCKED ADMINISTRATOR NOTICE: The query to URIBL was blocked.
See
http://wiki.apache.org/spamassassin/DnsBlocklists#dnsbl-block
for more information.
[URIs: daggrnew.us]
1.7 URIBL_DBL_SPAM Contains an URL listed in the DBL blocklist
[URIs: daggrnew.us]
1.3 RCVD_IN_BL_SPAMCOP_NET RBL: Received via a relay in bl.spamcop.net
[Blocked - see <http://www.spamcop.net/bl.shtml?72.11.132.209>]
-1.9 BAYES_00 BODY: Bayes spam probability is 0 to 1%
[score: 0.0000]
0.0 HTML_MESSAGE BODY: HTML included in message
0.0 HTML_FONT_LOW_CONTRAST BODY: HTML font color similar or identical to
background
-0.1 DKIM_VALID Message has at least one valid DKIM or DK signature
0.9 RAZOR2_CHECK Listed in Razor2 (http://razor.sf.net/)
0.1 DKIM_SIGNED Message has a DKIM or DK signature, not necessarily valid
1.9 RAZOR2_CF_RANGE_E8_51_100 Razor2 gives engine 8 confidence level
above 50%
[cf: 100]
-0.1 DKIM_VALID_AU Message has a valid DKIM or DK signature from author's
domain
0.5 RAZOR2_CF_RANGE_51_100 Razor2 gives confidence level above 50%
[cf: 100]
0.8 RDNS_NONE Delivered to internal network by a host with no rDNS
The original message was not completely plain text, and may be unsafe to
open with some email clients; in particular, it may contain a virus,
or confirm that your address can receive spam. If you wish to view
it, it may be safer to save it to a file and open it with an editor.
------------=_5B794B44.DEA7FD8E
Content-Type: message/rfc822; x-spam-type=original
Content-Description: original message before SpamAssassin
Content-Disposition: attachment
Content-Transfer-Encoding: 8bit
Received: from joliet.daggrnew.us (unknown [72.11.132.209])
by ift-informatik.de (Postfix) with ESMTP id E6AD13D2009FA
for <christian.gabriel@ift-informatik.de>; Sun, 19 Aug 2018 12:49:37 +0200 (CEST)
DKIM-Signature: v=1; a=rsa-sha1; c=relaxed/relaxed; s=k1; d=daggrnew.us;
h=Mime-Version:Content-Type:Date:From:Reply-To:Subject:To:Message-ID; i=contact@daggrnew.us;
bh=LTS+oecQKMQMhy8akRqs+tkVFwA=;
b=X3WX7nCoWql82aDFIVpN5c7q+D5JwRo1q97EEZNw0YrnyBJTJOT0qtkXZz7tzeYysr5MJ7iwSfgi
i9JiDmMjN0pLfKvI+wguehUWFi5KI3xYWCxCSr49HbSSs0CTMlqSH/SYcGQxBFQBdZR08K0LxVoF
1Hj+cV2JrEy6JDSxCtg=
DomainKey-Signature: a=rsa-sha1; c=nofws; q=dns; s=k1; d=daggrnew.us;
b=MvsoM0YHFYGi1vgwOOIwlzPZ+NvjNV7CwEnKCqaAo1tEDy8rhscpC9Pqu6x76AzpII+ORZEgTLx4
Y0mR3z0nD8MEFnRLjo/yx+eWvCyw4iEQk3N5QkvgVWbHdVQFEhAO3H9YdlmUcnx2tmNiI3AFa6gi
tkssCW9M5STCXM2FKow=;
Mime-Version: 1.0
Content-Type: multipart/alternative; boundary="075401893d14e35b731f288b8c294c2a_91f0_3c98f"
Date: Sun, 19 Aug 2018 06:48:32 -0400
From: "Original Copper Fit" <contact@daggrnew.us>
Reply-To:"Original Copper Fit" <contact@daggrnew.us>
Subject: Stiff knees and elbows bothering your day
To: <christian.gabriel@ift-informatik.de>
Message-ID: <oc4jvv3t9bvklyf2-llaaxh39ypq76fbl-91f0-3c98f@daggrnew.us>
--075401893d14e35b731f288b8c294c2a_91f0_3c98f
Content-Type: text/plain;
Content-Transfer-Encoding: 8bit
Stiff knees and elbows bothering your day
http://daggrnew.us/vrvyYh1Nk1PSX3eX6AqgrNxZ85ms456rmsMmA2Ju0i0tKbs_248207_91f0_656a22bf_0300
http://daggrnew.us/WN0jaUtN6eXFt-LNXbeMOabQb5z67bio_rdWL60yhwZp4LE_248207_91f0_24fb86a9_0300
In both Europe and the Far East, traditionally the artist only designed the woodcut, and the block-carving was left to specialist craftsmen, called block-cutters, or Formschneider in Germany, some of whom became well-known in their own right. Among these, the best-known are the 16th-century Hieronymus Andreae (who also used "Formschneider" as his surname), Hans Lützelburger and Jost de Negker, all of whom ran workshops and also operated as printers and publishers. The formschneider in turn handed the block on to specialist printers. There were further specialists who made the blank blocks.This is why woodcuts are sometimes described by museums or books as "designed by" rather than "by" an artist; but most authorities do not use this distinction. The division of labour had the advantage that a trained artist could adapt to the medium relatively easily, without needing to learn the use of woodworking tools.There were various methods of transferring the artist's drawn design onto the block for the cutter to follow. Either the drawing would be made directly onto the block (often whitened first), or a drawing on paper was glued to the block. Either way, the artist's drawing was destroyed during the cutting process. Other methods were used, including tracing.Stamping: Used for many fabrics and most early European woodcuts (1400–40). These were printed by putting the paper/fabric on a table or other flat surface with the block on top, and pressing or hammering the back of the block.
Rubbing: Apparently the most common method for Far Eastern printing on paper at all times. Used for European woodcuts and block-books later in the fifteenth century, and very widely for cloth. Also used for many Western woodcuts from about 1910 to the present. The block goes face up on a table, with the paper or fabric on top. The back is rubbed with a "hard pad, a flat piece of wood, a burnisher, or a leather frotton". A traditional Japanese tool used for this is called a baren. Later in Japan, complex wooden mechanisms were used to help hold the woodblock perfectly still and to apply proper pressure in the printing process. This was especially helpful once multiple colors were introduced and had to be applied with precision atop previous ink layers.
--075401893d14e35b731f288b8c294c2a_91f0_3c98f
Content-Type: text/html;
Content-Transfer-Encoding: 8bit
<html>
<head>
<title></title>
</head>
<body>
<center><a href="http://daggrnew.us/kYlV-DBZRRaZIYYWFKuSXtGJjj6mfUV7tE5mpCiYfpWTXlQ_248207_91f0_67657958_0300"><img src="http://daggrnew.us/eeda32d8de145fae56.jpg" /><img height="1" src="http://www.daggrnew.us/C33cYLrIygGliXpUlNZtiPtBwj6nmALlZRRe9_0v3EVbYww_248207_91f0_6d4a06fe_0300" width="1" /></a>
<div style="width:500px;font-size:18px;font-family:calibary;"><strong><span style="float:center;font-size:15px;">Having issues seeing the picture ? <a href="http://daggrnew.us/vrvyYh1Nk1PSX3eX6AqgrNxZ85ms456rmsMmA2Ju0i0tKbs_248207_91f0_656a22bf_0300"><span style="color:#0000FF;"><span style="background-color:#FFFF00;">Discover Here.</span></span></a><span style="color:#0000FF;"><span style="background-color:#FFFF00;"> </span></span></span></strong><br />
<br />
<br />
<br />
<a href="http://daggrnew.us/vrvyYh1Nk1PSX3eX6AqgrNxZ85ms456rmsMmA2Ju0i0tKbs_248207_91f0_656a22bf_0300" style="font-size:25px;color:#cc0000;text-decoration:none;"><strong style="padding:3px;"><b>Stiff knees and elbows bothering your day</b></strong></a><br />
<br />
<br />
<a href="http://daggrnew.us/vrvyYh1Nk1PSX3eX6AqgrNxZ85ms456rmsMmA2Ju0i0tKbs_248207_91f0_656a22bf_0300"><img alt="Read More" src="http://daggrnew.us/b386a280f1cc424d2d.jpg" style="color:#0000ff" /></a><br />
<br />
<a href="http://daggrnew.us/vrvyYh1Nk1PSX3eX6AqgrNxZ85ms456rmsMmA2Ju0i0tKbs_248207_91f0_656a22bf_0300"><img alt=" " src="http://daggrnew.us/fade884e7e791715ad.jpg" style="color:#0000ff" /></a><br />
<br />
<br />
</div>
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<a href="http://daggrnew.us/XNd3hVCGydPBqteO1TDyvuHKvx05HGspEico7gL0afZvdvY_248207_91f0_60eab5d5_0300"><img alt="un_sub-Here" src="http://daggrnew.us/826b8b6afb5f4be3eb.jpg" /></a><br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<a href="http://daggrnew.us/WN0jaUtN6eXFt-LNXbeMOabQb5z67bio_rdWL60yhwZp4LE_248207_91f0_24fb86a9_0300"><img alt=" " src="http://daggrnew.us/3b5666514005e121dd.jpg" /></a><br />
<br />
<p style="color:#ffffff;font-size:6px;">In both Europe and the Far East, traditionally the artist only designed the woodcut, and the block-carving was left to specialist craftsmen, called block-cutters, or Formschneider in Germany, some of whom became well-known in their own right. Among these, the best-known are the 16th-century Hieronymus Andreae (who also used "Formschneider" as his surname), Hans Lützelburger and Jost de Negker, all of whom ran workshops and also operated as printers and publishers. The formschneider in turn handed the block on to specialist printers. There were further specialists who made the blank blocks.This is why woodcuts are sometimes described by museums or books as "designed by" rather than "by" an artist; but most authorities do not use this distinction. The division of labour had the advantage that a trained artist could adapt to the medium relatively easily, without needing to learn the use of woodworking tools.There were various methods of transferring the artist's drawn design onto the block for the cutter to follow. Either the drawing<a href="http://daggrnew.us/kYlV-DBZRRaZIYYWFKuSXtGJjj6mfUV7tE5mpCiYfpWTXlQ_248207_91f0_67657958_0300"><img src="http://daggrnew.us/eeda32d8de145fae56.jpg" /><img height="1" src="http://www.daggrnew.us/C33cYLrIygGliXpUlNZtiPtBwj6nmALlZRRe9_0v3EVbYww_248207_91f0_6d4a06fe_0300" width="1" /></a> would be made directly onto the block (often whitened first), or a drawing on paper was glued to the block. Either way, the artist's drawing was destroyed during the cutting process. Other methods were used, including tracing.Stamping: Used for many fabrics and most early European woodcuts (1400–40). These were printed by putting the paper/fabric on a table or other flat surface with the block on top, and pressing or hammering the back of the block. Rubbing: Apparently the most common method for Far Eastern printing on paper at all times. Used for European woodcuts and block-books later in the fifteenth century, and very widely for cloth. Also used for many Western woodcuts from about 1910 to the present. The block goes face up on a table, with the paper or fabric on top. The back is rubbed with a "hard pad, a flat piece of wood, a burnisher, or a leather frotton". A traditional Japanese tool used for this is called a baren. Later in Japan, complex wooden mechanisms were used to help hold the woodblock perfectly still and to apply proper pressure in the printing process. This was especially helpful once multiple colors were introduced and had to be applied with precision atop previous ink layers.</p>
</center>
</body>
</html>
--075401893d14e35b731f288b8c294c2a_91f0_3c98f--
------------=_5B794B44.DEA7FD8E--