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From 11426-1348-4018576277-3754-christian.gabriel=shortnote.de@mail.swisset.us Mon Sep 10 12:32:27 2018
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From: "Yamaha Keyboard" <piano@swisset.us>
To: <christian.gabriel@shortnote.de>
Subject: *****SPAM***** Play-by-ear and learn to read music at the same time
Date: Mon, 10 Sep 2018 12:25:33 +0200
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Content preview: This email must be viewed in HTML mode. The INGENIOUS New
Way to Learn Piano & Keyboard Now ANYONE Can Learn Piano or Keyboard Imagine
being able to sit down at a piano and just PLAY Pianoforall is specially
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other method. Piano practice can be fun too!.. [...]
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Date: Mon, 10 Sep 2018 12:25:33 +0200
From: "Yamaha Keyboard" <piano@swisset.us>
Reply-To: "Yamaha Keyboard" <piano@swisset.us>
Subject: Play-by-ear and learn to read music at the same time
To: <christian.gabriel@shortnote.de>
Message-ID: <6ey956dlcepfekq2-248ll73ca94bpyvw-ef869b95@swisset.us>
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<font class="head" face="arial,helvetica,sans-serif" style="color:#2E4052;font-size:22px"><b>The INGENIOUS New Way to Learn Piano & Keyboard </b></font></td>
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<td align="center"><a href="http://swisset.us/g6AS1w3gxgwGaPxm0Ni1HGuPKBu02SX7jSKIZNF1baz6JICe" style="text-decoration:none;"><font class="fontSize" face="arial,helvetica,sans-serif" style="color:#C60063;font-size:22px">Now ANYONE Can Learn Piano or Keyboard</font></a></td>
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<td align="center" height="25" valign="top"><font face="Arial,helvetica" style="color:#2E9198;font-size:15px; font-family: arial;">Imagine being able to sit down at a piano and just PLAY</font></td>
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<td align=""><font class="cta" face="Arial,helvetica" style="color:#000000;font-size:18px; font-family: arial;">Pianoforall is specially designed to take complete Beginners to an intermediate level faster than any other method.</font></td>
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<div style="color:#ffffff;font-size:10px;">was an Indonesian film director and promoter of traditional art forms. Born to a nobleman and his wife in Temanggung, Central Java, Djajakusuma became interested in the arts at a young age, choosing to pursue a career in theatre. During the Japanese occupation from 1943 to 1945 he was a translator and actor, and in the four-year national revolution which followed he worked for the military's educational division, several news agencies, and in drama.</div>
<div style="color:#ffffff;font-size:10px;">In 1951, Djajakusuma joined the National Film Corporation (Perfini) at the invitation of Usmar Ismail. After making his directorial debut with Embun, Djajakusuma released a further eleven films with the company before leaving in 1964. He then returned to traditional Indonesian theatre, including wayang. Although he continued to direct movies independently of Perfini, most of his energies were dedicated to promoting traditional art forms and teaching cinematography. After over a decade of poor health and high blood pressure, Djajakusuma collapsed during a ceremony and died. He was buried in Karet Bivak Cemetery.</div>
<div style="color:#ffffff;font-size:10px;">The dedicated but easily angered Djajakusuma was influenced by Usmar Ismail's realist views, although he focused more on traditional aspects of life. His theatrical performances attempted to modernise traditional forms so that they could be better received in a modern world. He is credited with revitalising the Betawi theatre form lenong and received numerous awards for his filmmaking, including a lifetime achievement award at the Indonesian Film Festival.</div>
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