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From: "Microsoft Flight Simulator" <virtualpilot@arsinso.us>
To: <christian.gabriel@shortnote.de>
Subject: *****SPAM***** Google earth flight simulator controls
Date: Fri, 7 Dec 2018 06:40:14 -0500
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Content preview: This email must be viewed in HTML mode. "Microsoft Flight
Simulator 3D" "The Perfect Most Realistic Flight Sim You Ever Tried" 200+
Aircraft and 25,000 Real Airports. Worldwide scenery with high-def cities
and landscapes. Crazy realism and handling down to the scentific level. Real
cockpits, real controls and instrument behaviour. Advanced navigation including
NDB, VOR, ILS and GPS. Complete instrument flying and approaches. If you
ever dreamt of being a pilot or would like to explore the world with ultra
realism in 200+ different aircraft, VirtualPilot3D will fulfill that dream.
Meet up online with other VirtualPilot3D Users to fly in formation, put on
an air show or just to have fun. You can easily locate other pilots or yourself
with Google Map integration - Multiplayer map server shows all the active
pilots superimposed on top of a Google map. Enjoy Real-Life Flying Today
[...]
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Date: Fri, 7 Dec 2018 06:40:14 -0500
From: "Microsoft Flight Simulator" <virtualpilot@arsinso.us>
Reply-To: "VirtualPilot 3D Game" <virtualpilot@arsinso.us>
Subject: Google earth flight simulator controls
To: <christian.gabriel@shortnote.de>
Message-ID: <198qv0amvd887n7e-8i3va64o2sl39jas-ef869b95@arsinso.us>
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<center><span style="font-weight:bold; color:#251F47;">"Microsoft Flight Simulator 3D"</span></center>
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<td bgcolor="#D2D2D2" style="text-align:center;font-size:14px;font-family:Arial,sans-serif;line-height:20px;"><b>If you ever dreamt of being a pilot or would like to explore the world with ultra realism in 200+ different aircraft, VirtualPilot3D will fulfill that dream.</b></td>
</tr>
<tr>
<td bgcolor="#F0F3BD" style="text-align:center;font-size:14px;font-family:Arial,sans-serif;line-height:20px;"><a href="http://arsinso.us/zdDOlmdeC8Mv_cZL_kQB9h-4XncNgdCskXa0E1ORDQ_cdg" style="text-decoration:none; color:#000000;">Meet up online with other <b>VirtualPilot3D Users</b> to fly in formation, put on an<br />
air show or just to have fun. You can easily locate other pilots or yourself with<br />
Google Map integration - Multiplayer map server shows all the active pilots<br />
superimposed on top of a <b>Google map</b>.</a></td>
</tr>
<tr>
<td align="center" style="padding:20px;">
<table style="border-radius:18px; background: linear-gradient(to bottom,#fff,#E6EAEE); border:1px solid #cdcdcd; text-align:center;padding:10px;" width="330px">
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<span style="color:#4B4B4B; font-family:constantia,lucida bright,dejavu serif,georgia,serif;font-size:6px;">writers: E.E. Smith and Isaac Asimov. Smith's The Galaxy Primes began serialization in March 1959. Asimov's first published story, "Marooned off Vesta", had appeared in the March 1939 issue of Amazing, and Goldsmith reprinted it in March 1959 along with a sequel and Asimov's comments on the story. She soon began to publish some of the better new writers. Cordwainer Smith's "Golden the Ship Was—Oh! Oh! Oh!" appeared in April; and by the middle of the following year she had managed to attract stories from Robert Sheckley, Alan E. Nourse, Fritz Leiber, Gordon R. Dickson, Robert Bloch, and James Blish. The changes she made were enough to bring Robert Heinlein back as a subscriber; Heinlein read a copy of the June 1961 issue, which, he said, "... caused me to think I had been<br />
<br />
missing something."In September 1960 Amazing began to carry Sam Moskowitz's series of author profiles, which had begun in Fantastic, the sister magazine. The following month the cover and logo were redesigned. In April 1961, the 35th anniversary of the first issue, Goldsmith ran several reprints, including stories by Ray Bradbury and Edgar Rice Burroughs. Goldsmith had little previous experience with science fiction, and bought what she liked, rather than trying to conform to a notion of what science fiction should be. The result was the debut of more significant writers in her magazines than anywhere else at that time. She published the first stories of Ursula K. Le Guin, Roger Zelazny, Piers Anthony and Thomas M. Disch, among many others. Award-winning stories published<br />
<br />
during Goldsmith's editorship include Zelazny's "He Who Shapes", a story about the use of dream therapy to cure phobias. It was serialized in the January and February 1965 issues, and won a Nebula Award, an annual award voted on by science fiction writers. Goldsmith often wrote long, helpful letters to her authors: Zelazny commented in a letter to her that "Most of anything I have learned was stimulated by those first sales, and then I learned, and possibly even learned more, from some of the later rejections". Disch and Le Guin have also acknowledged the influence Goldsmith had on their early careers. The cover art for Amazing had been largely supplied by Ed Valigursky during the late fifties, but during the early sixties a much wider variety of artists appeared, including Alex Schomburg, Leo Summers and Ed Emshwiller. Frank Paul, who had painted all the covers for the first few years of Amazing, contributed a wraparound cover for the April 1961 35th anniversary issue; this was his last cover art for a science fiction magazine.<br />
<br />
Goldsmith's open-minded approach meant that Amazing and Fantastic published some writers who did not fit into the other magazines. Philip K. Dick's sales to magazines had dropped, but his work began to appear in Amazing, and Goldsmith also regularly published David R. Bunch's stories of Moderan, a world whose inhabitants were part human and part metal. Bunch, whose stories were "bewildering, exotic word pictures" according to Mike Ashley, had been unable to sell regularly elsewhereWhen Sol Cohen bought both Amazing and Fantastic in early 1965, he decided to maximize profits by filling the magazines almost entirely with reprints. Cohen had acquired second serial rights from Ziff-Davis to all stories that had been printed in both magazines, and also in the companion<br />
<br />
magazines such as Fantastic Adventures. Joseph Wrzos, the new editor, persuaded Cohen that at least one new story should appear in each issue; there was sufficient inventory left over from Goldsmith's tenure for this to be done without acquiring new material. Readers initially approved of the policy, since it made available some well-loved stories from earlier decades that had not been reprinted elsewhere. Both of Wrzos's successors, Harry Harrison and Barry Malzberg, were unable to persuade Cohen to use more new fiction. When Ted White took over, it was on condition that the reprints be phased out. This took some time: for a while both Amazing and Fantastic continued to include one reprint every issue. With the May 1972 issue, however, the transformation was complete, and all stories were new. In addition to eliminating the reprints, White reintroduced several features such as a letter column and "The Clubhouse," a fanzine review and fannish news column, and continued the book review column, as well as a series of science articles by Gregory Benford and David Book. He also redesigned the look of the magazine, making it, in science fiction historian Mike Ashley's words, "far more modern and sophisticated". </span></td>
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