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From 12760-1343-4039405291-4308-christian.gabriel=shortnote.de@mail.ingeonne.us Thu Dec 20 12:09:52 2018
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From: "Flying Games Airplane" <flightsimulator@ingeonne.us>
To: <christian.gabriel@shortnote.de>
Subject: *****SPAM***** Microsoft flight simulator x deluxe
Date: Thu, 20 Dec 2018 06:09:48 -0500
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Content preview: This email must be viewed in HTML mode. "Microsoft Flight
Simulator 3D" "The Perfect Most Realistic Flight Sim You Ever Tried" Explore
The Entire World With Ultra Realism!! 200+ Aircraft and 25,000 Real Airports.
Worldwide scenery with high-def cities and landscapes. [...]
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Date: Thu, 20 Dec 2018 06:09:48 -0500
From: "Flying Games Airplane" <flightsimulator@ingeonne.us>
Reply-To: "Flying Games Airplane" <flightsimulator@ingeonne.us>
Subject: Microsoft flight simulator x deluxe
To: <christian.gabriel@shortnote.de>
Message-ID: <1iyq9uk3hqr7vs2o-r9rzjorw0o4qth4h-f0c46eeb@ingeonne.us>
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<td align="center"><span class="smalltxt" style="font-size:20px; color:#3a3a3a; font-family:Arial, Helvetica, sans-serif;"><b>Explore The Entire World With Ultra Realism!!</b> </span></td>
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<style type="text/css">Much of the inter-war period saw economic recession or stagnant growth, making fund-raising more challenging. Partially as a result, many memorial projects had to be cut back or altered due to lack of money. The final size of Douaumont had to be cut in size by a third when fund-raising slowed. Proposals to turn the planned Imperial War Museum into a grand memorial for the war dead were shelved due to lack of funds.
The construction of memorials produced a lot of business in all the countries involved in the war. In Britain and Australia, stone masons provided large quantities of mass-produced design, often advertising through catalogues, while professional architects acquired the bulk of the specialised commissions for war memorials, making use of their professional organisations. Professional sculptors argued that their work was superior and more appropriate than that of architects, but they received far fewer commissions. British stone masons provided cheap products through catalogues. In France, funeral directors played a large part in the business of producing designs, producing catalogues of their designs for local communities to choose from. In the US, there was sufficient interest that a specialist magazine, Monumental News, was created to support the trade in war memorials.
Innovation and grieving
Naming the dead
The India Gate in New Delhi was unveiled in 1931 to commemorate the losses of the British Indian Army in World War I and the Third Anglo-Afghan War
The deaths caused by World War I were difficult for post-war societies to cope with: their unprecedented scale challenged existing methods of grieving. Furthermore, an expectation had arisen during the war that individual soldiers would expect to be commemorated, even if they were low ranking members of the military. One method used to address this was the inclusion of lists of names. In part, this was a response to the practical problem of commemorating such large numbers of dead, but it carried additional symbolic importance; in some ways, the physical presence of a name acted to compensate for an absent body. The lists could vary in size from the 21 names listed in a small English village like East Ilsley, to the 54,896 names inscribed on the Menin Gate and the 73,357 on the Thiepval Memorial.
Civic memorials in Britain and France typically had names inscribed; in Britain, these were often combined with other mottos or script, in France, where the significance of the name took even greater importance, just the names were used with a simple introduction. In France the names were usually listed in alphabetical order, resembling a military presentation. The British phrase, adopted by IWGC, "their name liveth for evermore", was popularised by Rudyard Kipling, who had lost a son during the war. British lists often omitted the soldier's rank, creating an impression of equality in death. Long lists of names — up to 6,000 — incorporated into churches in England and Germany. In Australia, where the forces were solely volunteers, all those who served were typically recorded on memorials, while in New Zealand, where conscription applied, only the fallen were recorded on memorials.
Touching the names of the dead on memorials was common gesture of grieving in the inter-war period; sometimes mourners would also kiss the names. Visitors to the memorials on the Western front would often photograph or trace on paper the relevant names on the memorials, taking these reminders back with them to their homes. By contrast, the naming of the dead played a less significant role in Italy, where formal lists of the war dead were not established until the mid-1920s; local communities compiled their own lists, used to produce local memorial plaques, but the national lists remained inaccurate for many years.
After the war, a bronze memorial plaque, inscribed with the name of the deceased alongside Britannia and a lion, and a scroll, sent to the next of kin of those had died in the service of the British Empire. Honour rolls in Canada were very popular, particularly immediately after the end of the war, although the decision on which names to include on them proved contentious: should accidental deaths, for example, be included? Where it was impractical to inscribe names in churches, usually due to the number of casualties and available space, books of names were often recorded instead.
Cenotaphs and Tombs of the Unknown Soldier
Unveiling of the Cenotaph in London, 1920
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