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Return-Path: <10654-1153-27627-2985-christian.gabriel=shortnote.de@mail.bravantus.digital> X-Original-To: christian.gabriel@shortnote.de Delivered-To: christian.gabriel@shortnote.de Received: from localhost (localhost [127.0.0.1]) by ift3.home (Postfix) with ESMTP id D48BA268E85 for <christian.gabriel@shortnote.de>; Tue, 24 Nov 2020 19:16:15 +0100 (CET) X-Virus-Scanned: Debian amavisd-new at X-Spam-Flag: NO X-Spam-Score: 3.403 X-Spam-Level: *** X-Spam-Status: No, score=3.403 tagged_above=2 required=6.31 tests=[ALL_TRUSTED=-1, BAYES_99=3.5, BAYES_999=0.2, DKIM_SIGNED=0.1, DKIM_VALID=-0.1, DKIM_VALID_AU=-0.1, DKIM_VALID_EF=-0.1, HTML_FONT_LOW_CONTRAST=0.001, HTML_MESSAGE=0.001, MIME_HTML_MOSTLY=0.1, MPART_ALT_DIFF=0.79, T_REMOTE_IMAGE=0.01, URIBL_BLOCKED=0.001] autolearn=no autolearn_force=no Authentication-Results: ift3.ift-informatik.de (amavisd-new); dkim=pass (1024-bit key) header.d=bravantus.digital; domainkeys=pass (1024-bit key) header.from=newsletter@bravantus.digital header.d=bravantus.digital Received: from ift3.home ([127.0.0.1]) by localhost (ift3.ift-informatik.de [127.0.0.1]) (amavisd-new, port 10024) with ESMTP id bcg4Utc2fFyY for <christian.gabriel@shortnote.de>; Tue, 24 Nov 2020 19:16:14 +0100 (CET) Received: by ift3.home (Postfix, from userid 177) id 96C8E268E87; Tue, 24 Nov 2020 19:16:14 +0100 (CET) Received: from echo.bravantus.digital (unknown [172.20.20.1]) by ift3.home (Postfix) with ESMTP id 86DCA268E85 for <christian.gabriel@shortnote.de>; Tue, 24 Nov 2020 19:16:10 +0100 (CET) DKIM-Signature: v=1; a=rsa-sha1; c=relaxed/relaxed; s=k1; d=bravantus.digital; h=Mime-Version:Content-Type:Date:From:Reply-To:Subject:To:Message-ID; i=newsletter@bravantus.digital; bh=tsJRPMJqKT+wfPX9CJIvkihK7Ws=; b=JVCiSuqIZZIaeNlz5mRMDd4KilLrTYL8J9Fk5cfVe9zVg3n24XC6R2lNQ/aRG0eqmY+2J5jGg0dl eKVBVqIcW6E59GvD2BzMUkAa8pIhkOgP+GIRSCSpm5uRIM9079Ob3l7euwJDhGLT/pyo+0WeARjJ pz9va4CaJGWIpyml2qg= DomainKey-Signature: a=rsa-sha1; c=nofws; q=dns; s=k1; d=bravantus.digital; b=Zpd/1MfbnaPhqHEnts7B1BoViiLkISSuSuNvxwAzG4G+JSpTtZx6MHVKbj8MNQdW9dAz3Cz7aItl C6lyB9uVjGYm0q4VxjABR/RghHbDRNLqDcYy4y90fEwjrpMvBkp/F41NcprIOJR84MthPZHpDWMu D3AzOSJJod/DfDBrW0A=; Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="d0042af6bbeee59b9720ce922d0a37f3" Date: Tue, 24 Nov 2020 19:18:05 +0100 From: "Aches & Pains" <newsletter@bravantus.digital> Reply-To: "Aches & Pains" <newsletter@bravantus.digital> Subject: Eat THIS Before Breakfast if You're in Pain... 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To: <christian.gabriel@shortnote.de> Message-ID: <m0yju2c2mk8erwso-3o3vauh1mqpatwrk-6beb@bravantus.digital> --d0042af6bbeee59b9720ce922d0a37f3 Content-Type: text/plain; Content-Transfer-Encoding: 8bit This email must be viewed in HTML mode. --d0042af6bbeee59b9720ce922d0a37f3 Content-Type: text/html; Content-Transfer-Encoding: 8bit <html> <head> <title></title> <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" /> <style media="all" type="text/css"> </style> </head> <body><a href="http://bravantus.digital/g1_I380nq8BNgSPjwbQZ_1tdjfmgToJUkt1UgWWgG2ID-Q"><img border="0" src="http://bravantus.digital/mdbGchPADqH41OpOrO8QF4wbDFNM-u2-kRgJ_KBGy2e3QlU" /> </a> <table align="center" id="DOTTED" name="14px" title="3px"> <tbody> <tr> <td> <table align="center" id="groove" name="12px" title="7px"> <tbody> <tr> <td align="center" style="padding-top: 2px;"> <table align="center" style="border:Solid 5px #000000; width:650px;"> <tbody> <tr> <td> <table align="center" width="650px"> <tbody> <tr> </tr> <tr> <td align="left" border="0" cellpadding="20" cellspacing="0" style="height:125px; line-height:1.4; font-size:16px; font-family:Trebuchet, sans-serif ; text-align:justify; background-color:#ffffff; padding:20px;">Struggling with Pain...?<br /> <br /> If so, try out this new <strong><a href="http://bravantus.digital/XMzL7LY9SHKoVUzVYLitk3_PgsJvLQBMOOavV4xL2zHIDQ">Weird Pain Relief Miracle</a></strong>... <p align="center"><a href="http://bravantus.digital/XMzL7LY9SHKoVUzVYLitk3_PgsJvLQBMOOavV4xL2zHIDQ"><img src="http://bravantus.digital/a7dc3ce0e626411901.jpg" /></a></p> This unusual herbal breakthrough helps stop pain fast. If you suffer from:<br /> <ul> <li>Neuropathy?</li> <li>Fibromyalgia?</li> <li>Diabetes?</li> <li>Or maybe you're not sure WHY you're hurting..</li> </ul> <br /> From now on you don't have to settle for just a few hours of pain relief!<br /> <br /> Click here to discover this new<strong><a href="http://bravantus.digital/XMzL7LY9SHKoVUzVYLitk3_PgsJvLQBMOOavV4xL2zHIDQ"> Weird Pain Relief Miracle</a></strong>...<br /> <br /> Helping Rid You of Pain,<br /> Mark<br /> <br /> P.S. - Yes, you can actually get rid of nerve discomfort WITHOUT dangerous drugs.<br /> <br /> <strong>==><a href="http://bravantus.digital/XMzL7LY9SHKoVUzVYLitk3_PgsJvLQBMOOavV4xL2zHIDQ"> CLICK HERE</a></strong></td> </tr> </tbody> </table> </td> </tr> <tr> <td align="center" height="20px"> </td> </tr> </tbody> </table> </td> </tr> <tr> <td align="center" id="14px" name="14px" title="outset"><br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <a href="http://bravantus.digital/vO_1uBpEJhZ3q2AjBMbVqhOxaU7GhO6xY76ylQOFJ7pm1_g" style="font-size:16px;"><img alt="To opt-out go here." src="http://bravantus.digital/09c3b4db22321d9e1a.jpg" /></a></td> </tr> <tr> <td><br /> <br /> <br /> <br /> </td> </tr> <tr> <td> </td> </tr> <tr> <td> </td> </tr> <tr> <td> </td> </tr> <tr> <td> </td> </tr> <tr> <td align="center"> </td> </tr> </tbody> </table> <br /> <br /> <table align="center" class="dm"> <tbody> <tr> <td colspan="2" style="background-color:#ffffff"><span style="color:#ffffff; font-family:constantia,lucida bright,dejavu serif,georgia,serif; font-size:10px">During this period of his Venetian residency Monteverdi composed quantities of sacred music. Numerous motets and other short works were included in anthologies by local publishers such as Giulio Cesare Bianchi (a er student of Monteverdi) and Lorenzo Calvi, and others were published elsew in Italy and Austria. The range of styles in the motets is bro, from simple strophic arias with string accompaniment to full-scale declamations with an alleluia finale. </span><br /> <br /> <span style="color:#ffffff; font-family:constantia,lucida bright,dejavu serif,georgia,serif; font-size:10px">Monteverdi retained emotional and political attachments to the Mantuan court and wrote for it, or undertook to write, large amounts of stage music including at least four operas. The ballet Tirsi e Clori survives through its inclusion in the seventh book, but the rest of the Mantuan dramatic music is lost. Many of the missing manuscripts may have disappeared in the wars that overcame Mantua in 1630. The most significant aspect of their loss, according to Carter, is the extent to which they might have provided musical links between Monteverdi's early Mantuan operas </span><br /> <br /> <span style="color:#ffffff; font-family:constantia,lucida bright,dejavu serif,georgia,serif; font-size:10px">and those he wrote in Venice after 1638: "Without these links ... it is hard to a produce a cont account of his development as a composer for the stage". Likewise, Janet Beat regrets that the 30-year gap hampers the study of how opera orchestration developed during those critical early years. </span><br /> <br /> <span style="color:#ffffff; font-family:constantia,lucida bright,dejavu serif,georgia,serif; font-size:10px">Apart from the mrigal books, Monteverdi's published ion during this period was the volume of Scherzi musicale in 1632. For unkn reasons, the composer's name does not appear on the inscription, the dedication being signed by the Venetian printer Bartolemeo Magni; Carter surmises that the recently ordained Monteverdi may have wished to keep his distance from this secular ion. It mixes strophic continuo songs for solo voice with more complex works which employ continuous variation over repeated bass patterns. Chew selects the chaconne for two tenors, Zefiro torna e </span><br /> <br /> <span style="color:#ffffff; font-family:constantia,lucida bright,dejavu serif,georgia,serif; font-size:10px">di soavi accenti, as the outstanding item in the ion: "he greater part of this piece consists of repetitions of a bass pattern which ensures tonal unity of a simple kind, og to its being framed as a simple cence in a G major tonal type: over these repetitions, inventive variations unfold in virtuoso passage-work". Late operas and final works Main articles: Il ritorno d'Ulisse in patria; L'incoronazione di Poppea; Selva morale e spirituale Poppea, represented in a 16th-century painting </span><br /> </td> </tr> </tbody> </table> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <p align="center"><a href="http://bravantus.digital/By0bCbDumpAPFC-dT8WgLHy4EtyCY2a3D8M_ua0DiR3bxeI"><img src="http://bravantus.digital/00926f2d2ddacc95b4.jpg" /></a></p> </td> </tr> </tbody> </table> </body> </html> --d0042af6bbeee59b9720ce922d0a37f3--